Wolfwalkers uses stunning animation to tell a story of myth and magic. After that, Wade and Kevin tackle The Personal History of David Copperfield.

And so it came to pass that in one fell swoop, the showrunners connected The Mandalorian to the worst ideas of the prequel and sequel trilogies.

Erin and Hannah invite Dustin Crowe for a conversation about thankfulness for their miniseries called Happy, Thankful, People.

Good stories point us to Christ—to who He is, what He loves, what He’s done, and what He’s yet to do.

Wade and Kevin take a look at a couple of new family dramas: Ron Howard’s Hillbilly Elegy and Sean Durkin’s The Nest.

Even if your inward-facing, self-replicating church—or Mandalorian group, for that matter—never becomes a cult, in my experience, it can (and does) start to get weird.

For anyone who didn’t live through the nineties, it’s difficult to explain how big a deal Beanie Babies were.

The thing about lies is that eventually they have to give out. No matter how badly liars want truth to be relative—it isn’t.

Erin and Hannah invite Barnabas Piper for a conversation about happiness to kick off a new miniseries called Happy, Thankful, People.

It’s a royal lineup for this episode of Seeing and Believing, with discussion on The Queen’s Gambit and The Man Who Would Be King.

Springsteen’s Letter to You could only be written by someone who spent the better part of five decades trotting beside the mysterious practices of the Catholic Church

Look, I’m not a youth pastor, but if I were, I would tell you teens that just as the wages of sin is death, the wages of eating a Frog Lady’s eggs means getting eaten alive by a thousand baby space spiders.

We swim in the waters of partisan conflict, and we can hardly recognize that underneath all the posturing, strategizing, and warfare tactics is supposed to be a real vision of human flourishing.

Turning our expectations and environment upside down, the Beatitudes initiate the reversal of our moral and spiritual fortunes.

First up is Robert Zemeckis’s remake of Roald Dahl’s classic children’s book The Witches. Finally Spike Lee’s American Utopia.

Ted Lasso is striking, in this particular time, because it shines a light into our own darkness.