A “freedom” which floats above social context and concrete relational bonds is no freedom at all.

Kevin and Sarah review Jane Schoenbrun’s debut, We’re All Going to the World’s Fair. For the Watchlist, they pivot to 1984’s Footloose.

Dr. Death and The Rise and Fall of Mars Hill are both entertainment, but we’d be amiss to overlook the clear warning signs they provide.

If we desire a faith that inhabits the affections of those racked with grief and misery, we do ourselves no favors to ignore suffering and pretend it’s not as bad as it is.

Kevin and Sarah dive into the multiverse of the MCU with Doctor Strange and the Multiverse of Madess then the world of Jules and Jim.

It’s no wonder Marc’s scales have never balanced. There is nothing balanced about any of this.

Kevin and Sarah discuss The Unbearable Weight of Massive Talent and then have a standoff over the latest Watchlist pick, Face/Off.

The Adam Project shows us there is hope for us smart alecks after all, in bold truth-telling, wise discernment, and intelligent humor.

We find hope and meaning not in doing right or being right but in the kindness shown to us by God in Christ, and enacted in our relationships with other people.

Marc Spector continues to wrestle with the implications of his role as Khonshu’s avatar of justice.

We’re now accepting pitches for our Q2 features.

At the heart of Station Eleven is a conflict between affirmation of Life and negation of Life. Affirmation wins.

To observe Good Friday, Kevin and Sarah contemplate Andrei Tarkovsky’s “Andrei Rublev” but first, they discuss Michael Bay’s Ambulance.

Kevin and Sarah sink their teeth into Sony’s latest MCU offering with “Morbius.” Then the duo review the original “Let the Right One In”

Maybe in the midst of this rock ’em sock ’em superhero show, we’ll learn something of spiritual pride’s dangers.

“The Eleventh Hour” shows us that sometimes having faith like a child awakens belief when all else fails.