Seeing & Believing 400 | An Ethos of Faithful Filmgoing
Before we go, Kevin and Sarah have a conversation about their ethos of faithful movie criticism, bringing the podcast full circle.
Before we go, Kevin and Sarah have a conversation about their ethos of faithful movie criticism, bringing the podcast full circle.
Oppenheimer was looking for more than assurances of a peaceful, weapons-free future. He was looking for absolution.
Kevin and Sarah get to the bottom of the mystery of both this week’s movies: Branagh’s A Haunting in Venice and Altman’s Gosford Park.
We must give ourselves grace and accept that we will not always get life right, and that is perfectly okay because the beauty of life is getting back up and trying again.
It’s evident that Coach Prime’s unorthodox approach to coaching enables him to get the most production out of his players and coaches.
If knowing the tale’s end can transform the storyline of a Tim Burton comedy, imagine the implications for the Christian life?
Sarah and Kevin review Emma Seligman’s movie about high schoolers who start a fight club then Howard Hawks’s Gentlemen Prefer Blondes.
Lucha Underground is less about sweat, muscles, and tights than about mythic storytelling—archetypal tales of heroes and villains, loss and redemption.
Kevin and Sarah catch up with Laurel Parmet’s The Starling Girl then Guillermo Del Toro’s 2001 ghost story The Devil’s Backbone.
Now 250 years old, Poems on Various Subjects, Religious and Moral shows off Phillis Wheatley’s skill as a writer as well as her Christian faith.
Believing in yourself (as in the talents God has given you) coupled with believing that God will take care of you, is a taste of unadulterated faith.
If we want our kids to learn from sports how to be people who are responsible, hard-working, and accountable, then we need look no further than Ryan Clark’s example.
The classic novel Goodbye, Mr. Chips addresses age-old questions about the proper human response to the martial savagery surrounding us.
Sarah and Kevin explore a love seeking dystopian set of movies: Landscape with Invisible Hand, then Charlie Chaplin’s 1936 film Modern Times.
Empathy fails as a means of salvation because it presumes that understanding alone is enough to compel virtuous behavior.
There’s no doubt that we live in a politically divisive era, and sadly, much of that division is driven by biblical interpretation.
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