Certainly grief fatigue is real and present with so many of us right now, but even in the midst of ongoing, present tragedy, we must pause when we can to remember why life is sacred at all.

Erin Straza and Hannah Anderson dig into what we’ve gotten wrong about Frankenstein and how the author’s life shaped the work.

“The Eyes of Tammy Faye” stars Jessica Chastain in the title role of Tammy Faye Bakker and follows her steps to infamous evangelist.

If you’ve ever felt like an imposter when it comes to be well-read, this conversation is for you.

Destin Daniel Cretton goes from indie dramas to the biggest blockbuster franchise, with “Shang Chi and the Legend of the Ten Rings.”

Shang-Chi’s actualization into an MCU superhero gives us a hero who comes from a culture that is more we-focused than me-focused, and I see that as a good thing.

Interested in a rock opera starring Adam Driver and Marion Cotillard and a wooden puppet representing their child?

Shawn Levy’s new film features Ryan Reynolds as an innocent person who finds out that he’s not a person after all but a background character in a video game. Or can he be both?

The Suicide Squad is a genuinely bad movie because it plays on war and death for laughs in irreverent, dehumanizing ways.

It is enough to be made, loved, and redeemed by God. Now if only his people could figure that out.

In a variety of ways, The Mysterious Benedict Society series is more emotive and less disciplined than its print counterpart.

MCU director James Gunn switches teams to DC Comics for this reboot of the much-reviled 2016 film, The Suicide Squad.

Any competitor can only successfully lose if they have learned who they truly are outside of the sport they’re competing in.

In The Mysterious Benedict Society,“going” isn’t intrinsically good or bad: it depends on how you are going…and whom you are going with.

The Green Knight from director David Lowery heralds the 300th episode of Seeing and Believing along with Wade & Kevin looking back.

The Book of Strange New Things invites us to reckon with the reality of our shifting, ever-uncertain faith.