When we look ahead to the Wedding Feast of the Lamb, we don’t just seen affinity-based friendships around the table; we see a family dinner.

The desperation to prove oneself and the inability to own mistakes are common among Mirai Nagasu’s much-discussed (and often maligned) Millennial peers.

We’re dishing on dishes of cultural cuisine in this issue of Christ and Pop Culture Magazine.

William Hope Hodgson’s dark works are not without glimmers of something like light.

As illustrated with ‘Isle of Dogs,’ when we ignore guidance from the past, we end up in a flawed world of our own creation, even if it appears immaculate on the surface.

The stories of Winnie the Pooh and his friends were a reminder of good in this world—a childlike innocence that could still exist.

What if trusting God with our disorders, or the disorders of the people we love, means not trying to figure out the reason for them?

We all expect to have important, dramatic lives. We all think we’ll turn out to be heroes. We’re just like Rainbow Man.

Like Daly in the Black Mirror episode “USS Callister,” guns and technology allow us to imagine a world in which we call the shots.

Silence is the word this week as Wade and Kevin explore the silent world of John Krasinski’s “A Quiet Place”. The duo then turn their attention to the oppressive silencing of Mary Jo Kopechne’s story John Curran’s “Chappaquiddick”.

We pay lip service to the idea that no one is truly perfect, but do we really believe it?

Like in this year’s Tomb Raider, we deserve portrayals of female heroes who stand on equal ground with the best male action heroes—not tethered to objectifications of our sexual prowess.

Fortunately, Jesus Christ Superstar Live! was only a play—a surprisingly good play—and not reality.

Surfer Rosa, the Pixies’ debut studio album, turned 30 this year, and it still doesn’t sound a day over 18.

If we are ever to see difference as a gift, then we need a resurrection of sorts, but we would do well to remember that resurrection requires a death.

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