Two women filmmakers are highlighted on the show this week! Celine Sciamma’s Portrait of a Lady on Fire and Dee Rees’ The Last Thing He Wanted.
By moving past the bounds of the Christian music genre, Colony House pours truth into people who might not hear it anywhere else.
Recognition of another’s worth entails ceding power, allowing another what is rightfully theirs.
Christians are commanded to love our neighbors, but we cannot love people we make no effort to understand.
In the latest Go Home! convo, Erin and Hannah invite Laura Fabrycky to discuss how the biological family is to yield to something greater: our church family.
Christian fasting and feasting is the ultimate anti-consumerist response.
Wade and Kevin agonize on their Top 10 movie choices from the past decade. Which films most closely captured the zeitgeist from this eventful decade?
The fundamental appeal of a mukbang video, then, is the promise of satisfaction through excess.
What does it mean to champion the family in today’s world? Is our definition of home and family contributing to its breakdown? Erin and Hannah discuss in the latest convo of their Go Home! series.
This week we review two female led movies starting with Cathy Yan’s Birds of Prey, and the more serious Sundance-featured film, Horse Girl.
We look back on Jaunary 2020 pop culture and unpack engagement with the Iowa Caucus and the impact of Kobe’s death on the black community.
HBO’s adaptation of The Outsider reminds us that we must learn to cope with fear and grief in order to be guides for those in the world who have no hope.
What happens when the nuclear family framework excludes many who are not part of one? Erin and Hannah discuss and pull Wesley Hill into the conversation.
It’s in those moments that the internet feels like a good place to be—a place to reveal how a single story written by an English chap in the 1950s has touched and shaped thousands of lives for the better.
Our apathy toward racial injustice is partially rooted in an insufficient understanding of the family of God.
Why doesn’t the Good Place satisfy? It doesn’t satisfy because it’s an eternity of people getting literally anything they want—anything they can ask for or dream of or do—for the rest of all time.
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