A hero’s journey certainly isn’t about less than family, but should be about more.

Overall, Breakthrough broke through my expectations of the Christian feel-good genre and helped me suspend my disbelief for a couple hours.

Seeing and Believing takes a journey to Terry Gilliam’s The Man Who Killed Don Quixote dream world and Jordan Peele-produced revamp of The Twilight Zone.

In this second episode of Fosse/Verdon, the pattern of their relationship is being set.

Earley coined his rule of life “The Common Rule” because it was intended for the common American—those who, like Earley, find themselves buying into American habits that divert us from the practices of Christ and toward the practices of achievement.

Heroic lives are usually, in reality, as unglamorous as assistant pig-keeping.

If it seems like our consumptive practices have a near religious-like quality, it is because the two are closely linked: the way we partake in culture can directly influence our approach to faith.

DC takes another stab at the whole superhero-franchise thing this week with Shazam!, They also review the long-awaited Mary Mageline movie with Rooney Mara.

Both of them firmly believe that great art offers things like truth and consolation to people who need them.

Write for our digital magazine! Submit a pitch by 4/15 for a feature article on the theme of self definitions.

Nipsey Hussle brought life and authenticity to his lyrics and activism in ways that should challenge us to match our works with our faith.

The question isn’t if Schrader should have made First Reformed a more uplifting movie: the question is if Schrader is right or not. Are we doomed to consume ourselves?

Hacksaw Ridge, like Shusau Endō, asks us to consider the very terrifying particularity of God’s interactions with human beings.

Tune in this week to hear our interview with authors Kutter Callaway and Craig Detweiler and a review of Tim Burton’s live-action remake of Dumbo.

We like to limit narcissism to people who think they are pretty or handsome but, in truth, it is much deeper than that.

Jordan Peele’s Us critiques who we are as a nation and people, and from where we’ve come.