Sarah and returning guest Abby Olcese find themselves reviewing not one but two adrenaline-soaked action movies this week.

Writer, Author, and ThD student Kaitlyn Schiess joins Jessica to talk about their love for Dorothy L. Sayers’ Zeal of Thy House.

In Women Talking, we imagine, with female imagination, how much both men and women stand to lose when they are chained to systems that do not lead to human flourishing.

In this bonus episode, Sarah and Kevin sit down with Chris Staron of Truce Podcast to discuss Inherit the Wind.

With the increasing prevalence of depression and concern for mental health nationwide, Panic is primed for rediscovery.

Amsterdam offers a ceaseless juxtaposition of the glamorous and the grotesque, inviting viewers to ask profound questions about how consumerism and materialism have numbed us to our deepest needs.

Sarah and Kevin find themselves in survival situations this week with Adam Driver in “65”, and Robert Redford in “All is Lost.”

Claude and Austin discuss their impressions of Baldwin’s cast of characters and the critical importance of setting.

The recent Star Wars series reveals the dark side of institutions caring only for their power and status.

The best advice for someone in Morant’s position might come from someone who’s done it all, had it all, been there, and done that: the king who wrote Ecclesiastes.

The Bear poses the question: Does structure itself cause fractures? Or does it only do so when divorced from love?

Kevin and Sarah spend this week contending with morality and the heavy questions of faith.

On this special episode, Claude Atcho interviews Jessica Hooten Wilson regarding her forthcoming book, Reading for the Love of God.

Rather than specific solutions, Yesterday I Had the Blues demonstrates the Black community’s rich history of transforming adversity and fear into hope.

The documentary follows North Koreans who make the treacherous attempt to flee the country, and the care and sacrifice of those trying to help them escape.

Narrative intricacies aside, Rian Johnson’s social commentary is sophisticated, but hardly subtle.