Music Archives

Strange Negotiations peels the curtain back to show the emotional and relational cost that this seemingly successful business model extracted from David Bazan. 

Sam Smith’s song, while mesmerizing musically, is rather empty spiritually. If we need a glimmer of hope but want it on our own terms—apart from being a disciple of Jesus—that hope will be rather flimsy. 

The church should be a “crowded table” with a place by the fire for every woman—white, black, and brown alike—where she isn’t crammed into a narrow definition of womanhood and femininity.

To make an influence on the culture-at-large, Christians don’t need a big-name artist like Kanye West to co-opt the Christian message of grace, mercy, forgiveness, and justice.

Persuasion has a guest! Sara Groves joins us for a conversation about the role and importance of authenticity as part of our series The Creative Process.

Race’s conspicuous exclusion from mainstream Christian music (CCM) communicated something implicit and insidious.

If Eiffel 65 teach us anything in “Blue,” it is this: do not drink the draught of technology all the way down.

Kings Kaleidoscope lead singer Chad Gardner sits down to discuss the band’s new album, Zeal, and the journey to reclaim childlike faith.

“One Less Day (Dying Young)” is a simple, but thoughtful rebuke against the fear of old age and the desire to cling to youth.

Nipsey Hussle brought life and authenticity to his lyrics and activism in ways that should challenge us to match our works with our faith.

We like to limit narcissism to people who think they are pretty or handsome but, in truth, it is much deeper than that.

In CAPC Jr., significant children in the lives of our writers pass on their own unique insights into some of their favorite cultural artifacts.

Raul is about family, compassion, and patience. It’s about looking across the broken landscape of our world and considering how we may use the cross of Christ to bridge the prejudicial gaps of humanity.

Our worship should teach us to long for more than our individual salvation, but to long for the redemption of the whole world.

Following the Carters’ lead, the Church must include Christians of color in our origin stories and current cultural framework.

Can we continue to find beauty and truth in art created by human beings who’ve done terrible things, and if so, how?