Seeing and Believing takes a journey to Terry Gilliam’s The Man Who Killed Don Quixote dream world and Jordan Peele-produced revamp of The Twilight Zone.
DC takes another stab at the whole superhero-franchise thing this week with Shazam!, They also review the long-awaited Mary Mageline movie with Rooney Mara.
Tune in this week to hear our interview with authors Kutter Callaway and Craig Detweiler and a review of Tim Burton’s live-action remake of Dumbo.
Anne Kennedy joins Persuasion for an overview of Holy Week happenings and ways Christians can more meaningfully celebrate the resurrection.
Two genre films are up for consideration this week: one set in the farthest reaches of space, and one that hits uncomfortably close to home: Us and Prospect
The guys lean into the rule of threes with this week’s pair of films. Triple Frontier, and the new film from Iranian master Jafar Panahi, 3 Faces.
Our mental frames can lock us into patterns and ruts, but that doesn’t mean we are stuck with the same thinking for life.
Captain Marvel from Anna Boden and Ryan Fleck is up for review this week along with Wade and Kevin’s Summer Blockbuster Preview!
Guest Laura Turner joins Persuasion to discuss the challenge of hopeful thinking in this world of uncertainty.
Erin and Hannah continue their Ready, Set, Think! series discussing aspects of individual and collective thinking.
The guys take a look back at Mel Gibson’s The Passion of the Christ and Asghar Farhadi’s first project outside of Iran, Everybody Knows.
Wade and Kevin review Robert Rodriguez’s and James Cameron’s latest film, Alita: Battle Angel manga, and To Dust, with Matthew Broderick and Geza Rohrig.
Erin and Hannah continue their Ready, Set, Think! series with a conversation about taking a fresh look at how the status quo shapes our thinking.
Erin and Hannah continue their Ready, Set, Think! series with a conversation about the blocks that form the foundation of our thinking for good or for ill.
Wade and Kevin review Steven Soderbergh’s first Netflix film, High Flying Bird and Joe Cornish’s The Kid Who Would Be King.
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