Podcast Archives

Wade and Kevin get back to basics with a review of Josh Trank’s unconventional small-budget film examining the last year of the infamous gangster’s life.

How do we live well in this ongoing (seemingly never-ending) viral age? Erin and Hannah discuss our new normal in the Growing Viral finale.

Wade and Kevin wrap up their auteur series with a look at the work of America’s foremost purveyor of immaculately framed family dysfunction: Wes Anderson.

How can we search for goodness without minimizing the very real pain and grief of living in a pandemic? Erin and Hannah discuss our battle with discouragement in this Growing Viral conversation.

Wade and Kevin continue their auteur study with David Fincher as they rank their Top 10 David Fincher films and see the common elements in his work.

We’re accustomed to much freedom in daily life, making the government regulations feel all the more binding. Erin and Hannah discuss security and releasing control in the COVID-19 pandemic.

Kelly Reichardt is the next subject of our 2020 Auteur series. A major figure in film, Kelly Reichardt’s quiet, understaded style has left a large impact.

Frustration and anger are natural when your whole world is threatened. Erin and Hannah discuss blame and justice in the COVID-19 pandemic.

Erin and Hannah talk with John Starke about the way praying the psalms and practicing lament help us be honest about the overwhelming grief we feel in the COVID-19 pandemic.

Closing the South Korean movie marathon this week is Lee Chang-dong’s Secret Sunshine, where a woman turns to Christianity after suffering a loss.

Erin and Hannah kick off a new series, Growing Viral: Well-Being in the Age of Corona, exploring common ways we’re responding and reacting to the COVID-19 pandemic and seeing how we can move toward wholeness in this viral age.

Seeing & Believing reviews a movie that’s all about the passage of time and the seasons: Kim Ki-duk’s Spring, Summer, Fall, Winter … and Spring.

Wade and Kevin continue their self isolation with their South Korean cinema marathon by reviewing the 1960 classic from director Kim Ki-young, The Housemaid

Suddenly, going home—and staying there—has become THE issue of our day, regardless of your gender, religious camp, or philosophical stance.