Seeing and Believing Archives

Before we go, Kevin and Sarah have a conversation about their ethos of faithful movie criticism, bringing the podcast full circle.

Kevin and Sarah get to the bottom of the mystery of both this week’s movies: Branagh’s A Haunting in Venice and Altman’s Gosford Park.

Sarah and Kevin review Emma Seligman’s movie about high schoolers who start a fight club then Howard Hawks’s Gentlemen Prefer Blondes.

Kevin and Sarah catch up with Laurel Parmet’s The Starling Girl then Guillermo Del Toro’s 2001 ghost story The Devil’s Backbone.

Sarah and Kevin explore a love seeking dystopian set of movies: Landscape with Invisible Hand, then Charlie Chaplin’s 1936 film Modern Times.

Sarah and Kevin vs. Dracula… on a boat. This week, they review The Last Voyage of the Demeter and Wolfgang Petersen’s 1981 film Das Boot.

Kevin and Sarah review Teenage Mutant Ninja Turtles: Mutant Mayhem then the magical world of Miyazaki’s Howl’s Moving Castle.

Mad science is afoot in this week’s double feature. They Cloned Tyrone, and 1960’s French horror film, Eyes Without a Face.

Kevin and Sarah brave summer heat as they review Christian Petzold’s latest movie Afire, and The Quiet Girl.

Barbenheimer is upon us. Sarah and Kevin review two new releases this week: Christopher Nolan’s Oppenheimer and Greta Gerwig’s Barbie.

Sarah and Kevin’s mission is to review the latest Mission: Impossible film and then square off over Satoshi Kon’s dreamlike movie Paprika.

Kevin and Sarah don their adventuring gear and go exploring with Harrison Ford in Indiana Jones and the Dial of Destiny.

Alien-invasion movies are taking over the podcast as Kevin and Sarah review Wes Anderson’s Asteroid City & Spielberg’s War of the Worlds.

This week, we review a pair of movies about coming of age and learning to live with yourself: Pixar’s new Elemental and Kelly Fremon Craig’s The Edge of Seventeen.

Kevin and Sarah take on horror-adjacent movies in two different flavors this week: The Blackening and Jeremy Saulnier’s Green Room.

Sarah and Kevin review Celine Song’s debut feature Past Lives, and the Merchant/Ivory adaptation of Edith Wharton’s A Room with a View.