Stunt food, pursued in the name of novelty, turns out to be more of the same old, same old.

This week, Wade and Kevin review the hotly anticipated Wonder Woman to see whether Patty Jenkins and Gal Gadot can right the ship for the DC Cinematic Universe.

This week the Nintendo Switch, music album ‘A Crow Looked at Me’, and the fiction novel ‘Underground Railroad’ vie for a place on the CaPC25 for 2017.

A sense of who Anne is and a certain integrity about her portrayal is necessary if she is to matter at all.

Kendrick’s latest album offers less resolution for his fans. And that’s okay.

Erin Straza and Hannah Anderson dissect how modern life has changed the way we interact with those we might call our next door strangers.

Politically, I came of age in the mid-90s, and I have never forgotten the horror of Rwanda.

Wade and Kevin take on Netflix with a review of originals David Michod’s ‘War Machine’ and Master of None Season 2.

The concept of Gray Jedi appeals to a generation that wants spirituality without religion; for that reason, it represents a deterioration of the Star Wars mythology.

The story goes that Hensley wandered out into the wilderness to seek God’s will, which he was pretty sure would involve snakes.

Sisterhood truly is a powerful force.

In the fourth season, the agents of S.H.I.E.L.D. are forced to face one of their greatest foes yet: their own regrets.

Drew and Tyler chat with Rebecca Calhoun about her recent article, Moving Past the Purity Movement.

In Guardians of the Galaxy Vol. 2, we see the consequences of denying truth.

The show refuses to follow the “inspirationally disadvantaged” cliché found in lots of fiction that features disabled characters.

Fate/Zero provides us a tragic story of idolatry straight from the playbook of scripture.