It’s fitting that Oppenheimer feels so contradictory, because the film is fascinated by such contradictions.

Sarah and Kevin vs. Dracula… on a boat. This week, they review The Last Voyage of the Demeter and Wolfgang Petersen’s 1981 film Das Boot.

Netflix’s hit reality TV series reveals how many of our beliefs and practices regarding marriage are time-bound historical phenomena, not unchanging universal ideals.

There’s value in a loss, even if it’s not immediately apparent.

We are called to embrace our physicality, offering to God the sorrows and the sweetness of physicality.

Kevin and Sarah review Teenage Mutant Ninja Turtles: Mutant Mayhem then the magical world of Miyazaki’s Howl’s Moving Castle.

Cormac McCarthy’s Blood Meridian is a supreme artistic achievement that is resolutely pagan.

This discovery of getting to know someone and liking her, rather than dismissing her out of hand is the real, overarching lesson of the film.

Mad science is afoot in this week’s double feature. They Cloned Tyrone, and 1960’s French horror film, Eyes Without a Face.

The desolate future envisioned in the Mad Max films lays bare the emptiness which always threatens the human effort to build something meaningful.

In a big world with big problems, competition of all kinds—even fantasy football—is a way to make our world smaller.

The extent to which Tunic mirrors a Christian understanding of truth is remarkable and something worth paying attention to.

Kevin and Sarah brave summer heat as they review Christian Petzold’s latest movie Afire, and The Quiet Girl.

Unfortunately, one reason Schindler’s List stays evergreen is that racism will always be a problem.

Once you get past all the counterculture posturing, Jesus Christ Superstar gets one crucial thing right about the gospel accounts.

Barbenheimer is upon us. Sarah and Kevin review two new releases this week: Christopher Nolan’s Oppenheimer and Greta Gerwig’s Barbie.