Jonas Poher Rasmussen’s Flee Offers a Convicting Glimpse Into the Lives of Refugees
Flee asks us to consider how we fail, or simply refuse, to confront the suffering of others.
Flee asks us to consider how we fail, or simply refuse, to confront the suffering of others.
Kevin and Sarah feel the need…the need for speed…and for Dad Movies. First, in a review of Top Gun: Maverick, then The Right Stuff.
Its lack of a clear villain places Encanto closer to Studio Ghibli films than to classic Disney ones.
Watching Ted Lasso have a panic attack gave me a panic attack, so I created an experiment I’m calling “anxiety immersion.”
Kevin and Sarah take on a Patreon subscriber’s pick as they review Parallel Mothers and Yasujiro Ozu’s 1953 masterpiece Tokyo Story.
Three hit songs offer three different perspectives on what it means to worship.
It is a thousand and one stories woven together in a tapestry, a Persian rug, of beauty.
A “freedom” which floats above social context and concrete relational bonds is no freedom at all.
Kevin and Sarah review Jane Schoenbrun’s debut, We’re All Going to the World’s Fair. For the Watchlist, they pivot to 1984’s Footloose.
Dr. Death and The Rise and Fall of Mars Hill are both entertainment, but we’d be amiss to overlook the clear warning signs they provide.
If we desire a faith that inhabits the affections of those racked with grief and misery, we do ourselves no favors to ignore suffering and pretend it’s not as bad as it is.
Kevin and Sarah dive into the multiverse of the MCU with Doctor Strange and the Multiverse of Madess then the world of Jules and Jim.
It’s no wonder Marc’s scales have never balanced. There is nothing balanced about any of this.
Get our weekly recap email for the latest from CAPC, delivered straight to your inbox.
Support our work: Become a member and get exclusive membership perks.
Introduce friends & colleagues to the CAPC world with a gift membership.
Learn more about writing for us.