TV Archives

Chernobyl is an excellent show… with its emphasis on the net effect of human sin—the disproportionately catastrophic results of seemingly small errors.

Competing for titles, money, contracts, and (sometimes even) a person’s affections, all for the entertainment of an audience, can cause figurative deaths—devaluation of a person’s worth, the consumption of their soul.

When you see the fate of these boys, will you look away?

This series has poignantly shown us that it was longing that defined the lives of Bob Fosse and Gwen Verdon.

Fictional stories can help us see more clearly truths and falsehoods that seem complex in the real world.

Their relationship has become a sad reminder that you can have it all and still have nothing.

Tim Conway shone a ray of light in a dark world by doing small things with great laughter.

The tragedy of Bob Fosse was that however good he was at what he did—and he was very, very, very good—he never felt good enough.

It’s not excusing his hurtful, hedonistic behavior to observe that something is broken inside Bob Fosse.

What will “going on” for Fosse look like, and is it possible to do more than just “go on” the way he has been?

Gwen finds herself trapped by the very expectations that her talent and hard work have brought her.

In this second episode of Fosse/Verdon, the pattern of their relationship is being set.

Both of them firmly believe that great art offers things like truth and consolation to people who need them.

These friendship stories—in giving us fantastic scenarios—demonstrate how in God’s economy friendship is far from cheap.

In CAPC Jr., significant children in the lives of our writers pass on their own unique insights into some of their favorite cultural artifacts.

D. L. Mayfield recaps the season 3 finale of The Good Place, “Pandemonium.”