Disney’s Encanto Follows in Studio Ghibli’s Footsteps
Its lack of a clear villain places Encanto closer to Studio Ghibli films than to classic Disney ones.
Its lack of a clear villain places Encanto closer to Studio Ghibli films than to classic Disney ones.
Kevin and Sarah take on a Patreon subscriber’s pick as they review Parallel Mothers and Yasujiro Ozu’s 1953 masterpiece Tokyo Story.
Kevin and Sarah review Jane Schoenbrun’s debut, We’re All Going to the World’s Fair. For the Watchlist, they pivot to 1984’s Footloose.
Kevin and Sarah discuss The Unbearable Weight of Massive Talent and then have a standoff over the latest Watchlist pick, Face/Off.
The Adam Project shows us there is hope for us smart alecks after all, in bold truth-telling, wise discernment, and intelligent humor.
We find hope and meaning not in doing right or being right but in the kindness shown to us by God in Christ, and enacted in our relationships with other people.
To observe Good Friday, Kevin and Sarah contemplate Andrei Tarkovsky’s “Andrei Rublev” but first, they discuss Michael Bay’s Ambulance.
Kevin and Sarah sink their teeth into Sony’s latest MCU offering with “Morbius.” Then the duo review the original “Let the Right One In”
Kevin and Sarah dive into the multiverse of “Everything Everywhere All At Once” followed by “What’s Up Doc” in the Watchlist segment.
Cyrano reminds us that most of us could use a little panache.
Kevin and Sarah find themselves in an animated disagreement over Pixar’s latest movie, Turning Red and then bond over Kiki’s Delivery Service
Nosferatu is a relic of a day when people were not afraid to make moral judgments and make their monsters monstrous.
Great storytelling satisfies a life-sustaining appetite in all of us and targets the true love we all need.
By compromising the connection between player and hero-protagonist, Shadow of Mordor sets up the player to identify as the villain, with no prior warning.
Spider-Man: No Way Home is about a boy becoming a man — and a just one at that.
Kevin and Sarah discuss Maggie Gyllenhaal’s directorial debut The Lost Daughter and introduce their new segment, The Watchlist
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