Monthly Archives: April 2023

Kevin and Sarah review Kelly Fremon Craig’s adaptation of Are You There God? It’s Me Margaret and Agnes Varda’s beloved Cléo from 5 to 7.

Davis and Garcia’s fight helps us rediscover the metaphoric beauty and struggle of life.

In The Stepford Wives and Severance we’re left wondering: where is the alternative vision to the mercenary hellscapes provided?

Sarah and Kevin review Ari Aster’s newest film, Beau Is Afraid, starring Joaquin Phoenix. Then, Henry Selick’s masterpiece Coraline.

Alan Noble joins Jessica to discuss T.S. Eliot’s writing of The Four Quartets and how the 20th century poet composed this work.

Although this murder mystery faltered in theaters, it became a cult classic, captured the pulse of our culture, and provided perspective on commitment.

Kevin and Sarah sink their teeth into a pair of vampire movies. First up is “Renfield” then Kathryn Bigelow’s “Near Dark”.

Associate Professor of Sociology Angel Adams Parham joins Claude to take a fresh look at Wheatley’s “On Being Brought from Africa to America”

M. Night Shyamalan’s rendition of The Trolley Dilemma forces us to reckon with our limited capabilities.

Perhaps the question of whether it’s ever okay to simply play/work for money is not quite the dichotomy that we often make it out to be.

White Noise skewers our comforts by offering a skewed view of our modern society.

Kevin and Sarah let their nerd flags fly as they review Dungeons and Dragons: Honor Among Thieves and then 1998’s The Mask of Zorro.

Claude and Austin “Florence’s Prayer” and the way that time functions in Baldwin’s novel, drawing out the inter-generational dynamics.

Infinity Pool is a raw survey of feeble attempts at avoiding the consequences of wrongdoing.