The Slow Burnin’ Faith of Flamin’ Hot
Believing in yourself (as in the talents God has given you) coupled with believing that God will take care of you, is a taste of unadulterated faith.
Believing in yourself (as in the talents God has given you) coupled with believing that God will take care of you, is a taste of unadulterated faith.
If we want our kids to learn from sports how to be people who are responsible, hard-working, and accountable, then we need look no further than Ryan Clark’s example.
The classic novel Goodbye, Mr. Chips addresses age-old questions about the proper human response to the martial savagery surrounding us.
Sarah and Kevin explore a love seeking dystopian set of movies: Landscape with Invisible Hand, then Charlie Chaplin’s 1936 film Modern Times.
Empathy fails as a means of salvation because it presumes that understanding alone is enough to compel virtuous behavior.
There’s no doubt that we live in a politically divisive era, and sadly, much of that division is driven by biblical interpretation.
It’s fitting that Oppenheimer feels so contradictory, because the film is fascinated by such contradictions.
Sarah and Kevin vs. Dracula… on a boat. This week, they review The Last Voyage of the Demeter and Wolfgang Petersen’s 1981 film Das Boot.
Netflix’s hit reality TV series reveals how many of our beliefs and practices regarding marriage are time-bound historical phenomena, not unchanging universal ideals.
There’s value in a loss, even if it’s not immediately apparent.
We are called to embrace our physicality, offering to God the sorrows and the sweetness of physicality.
Kevin and Sarah review Teenage Mutant Ninja Turtles: Mutant Mayhem then the magical world of Miyazaki’s Howl’s Moving Castle.
Cormac McCarthy’s Blood Meridian is a supreme artistic achievement that is resolutely pagan.
This discovery of getting to know someone and liking her, rather than dismissing her out of hand is the real, overarching lesson of the film.
Mad science is afoot in this week’s double feature. They Cloned Tyrone, and 1960’s French horror film, Eyes Without a Face.
The desolate future envisioned in the Mad Max films lays bare the emptiness which always threatens the human effort to build something meaningful.
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