A Better Version of Yourself? Self-Obsession in The Substance
If our takeaway from The Substance is yet another lament about Hollywood’s impossible beauty standards for women, then we’ve let ourselves off the hook.

If our takeaway from The Substance is yet another lament about Hollywood’s impossible beauty standards for women, then we’ve let ourselves off the hook.

Speak No Evil starkly portrays the point at which niceness becomes a weapon in the hands of those cruel and clever enough to wield it.

The horror of this story is the annihilation of identity, the erosion of a personal self that has a recognizable shape.

If anyone is inclined to take away from this film the message that men shouldn’t listen to women because they’re shameless manipulators, then they’ve missed the point.

This 2023 animated adaptation of the acclaimed Polish novel highlights the tension between tradition and community, and modern individualism.

We keep on using the word “marriage,” but it no longer means what we think it means.

I never knew that American marriages had such a checkered history.

Netflix’s hit reality TV series reveals how many of our beliefs and practices regarding marriage are time-bound historical phenomena, not unchanging universal ideals.

There are times when, to properly name evil as evil, only the worst of words will do.

While many of women’s problems are age-old, what’s changed is the promise of a new solution: the promise of escaping womanhood by adopting a new identity.

Without tradition to protect us, our bodies become subject to the dynamics of the market.

The categories of male/female and man/woman are simply too ancient and fundamental to be tampered with without consequences.

Neutrality towards technology isn’t as good as enthusiasm, of course, but it’s much better than allowing the seeds of skepticism to grow.

Celibate monasticism was a symbol of the radical resurrection equality of men and women—of their symmetrical status as eternal brothers and sisters.

When the highest feminine symbol within church history was rejected as an idol, a primary example of women’s indisputable dignity disappeared too.

At the heart of Station Eleven is a conflict between affirmation of Life and negation of Life. Affirmation wins.
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