The Bat in Daylight: Matt Fraction, Batman, and a New Day in Gotham City
You don’t wait for institutions to become trustworthy, or people to become good, or the city to become clean before deciding whether it’s worth fighting for.

You don’t wait for institutions to become trustworthy, or people to become good, or the city to become clean before deciding whether it’s worth fighting for.

The game assumes the audience already understands the dangers built into the Bond archetype, and then it moves beyond them.

The appeal of the multiverse metaphor in everyday conversation is that it functions as an anaesthetic for regret and makes decisions feel less weighty.

Both the Western and Star Wars imagine a world where character must be forged and not assumed, where goodness is real, but never cheap.

Predator: Badlands is mythic and weirdly intimate: a cosmic family drama wearing the skin of a sci-fi monster movie.

Godbreakers plays like a fever dream of our technological future, asking what happens when we forget that to be human is to be made of dust?

If someone—or something—is out there, the gospel isn’t fragile, and our theology is big enough to handle it.

Our aim is not to baptize the mythology of aliens, but to ask how Christian theology might responsibly interpret the discovery of non-human life.

If the question ever changes from if we are alone to since we are not, the Church should be ready to say something worth hearing.

What began in 1966 as a sleek spy procedural has become a modern myth about the sacredness of agency in an age increasingly hostile to it.

The metamodern mood is hopeful but cautious, sincere but self-aware, believing while doubting all the same.

A flawed mother and daughter together illustrate that grace doesn’t erase the rap sheet—it reframes it.

What transforms Christmas into something sacred is not its historical origin, but the heart of the believer.

Godzilla is a towering figure in modern mythopoeia, embodying the apocalypse of divine retribution and judgment.

The Millennium Era set a precedent for risk-taking through its innovative anthology format in an effort to reestablish Godzilla’s identity.

The Heisei Era films reflect a society aware of the complex relationship between human innovation and its unintended side effects.
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