The Moral Fission of Oppenheimer
It’s fitting that Oppenheimer feels so contradictory, because the film is fascinated by such contradictions.
It’s fitting that Oppenheimer feels so contradictory, because the film is fascinated by such contradictions.
Davy Chou’s film is about lives not lived and not by chance. It’s about the lives we live as we try to define what life means.
Left to our tendencies toward comfort, we often use each other’s love to insulate us from the harshness of the world: we hide behind false encouragements.
White Noise skewers our comforts by offering a skewed view of our modern society.
The documentary follows North Koreans who make the treacherous attempt to flee the country, and the care and sacrifice of those trying to help them escape.
At the center of both The Fabelmans and Aftersun are characters reflecting on their childhood, looking to better understand who their parents were.
After Yang offers a refreshing, compassionate perspective on how technology might make our world more human instead of less.
The subterranean dread of Memoria comes from the possibility that our attention may alight on things unexpected, unwanted, and unwelcome.
Lydia Tár is shaped by the abuses she’s gotten away with and aimed toward a future that sustains the power of her position.
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