Editor’s Picks Archives

David Lindsay sought after truth, and he believed the way to truth passed through pain, denial, and sacrifice.

A good world that begs—and begets—attention is on display in Gardeners’ World.

Choosing to play Thurgood Marshall and Black Panther while facing multiple surgeries and going through chemotherapy could not have been easy. But Chadwick Boseman understood his purpose. 

The fight for Black lives is more important than money, and the players choosing to boycott for the first time in the league’s history is proof of that. 

If we reap what we sow, shouldn’t we pay more careful attention to where we invest our time and efforts? Let’s look at that together in this issue of Christ and Pop Culture Magazine.

The most viable option is to plaster the invaluable image of God onto our neighbors, listen to their needs and concerns, and strive to outdo one another in love in whatever capacity we can.

In writing fiction, Taylor Swift has somehow managed to ponder the deeper truths of love and loss and life.

The computer science concept of “greedy algorithms” can help frame the gospel in a new and refreshing way.

The lesson is that if we don’t tell the true stories, if we fail to pass them down to future generations, the lies will rush into the vacuum and take over.

Jonathan Pageau’s channel, The Symbolic World, provides a means for the baptism of the evangelical imagination into this symbolic life.

If Twitter and Facebook and Reddit and TikTok and whatever else is out there have anything in common, it’s obsession. And that’s what Moby Dick is all about.

Reveling, then recognizing the same enthusiasm in us, Shea Serrano delights to share these experiences.

One of the reasons Christian influencers make videos about their newly minted sex lives is almost certainly to get views, which begets both more followers—more impact for Jesus, naturally—and also more money.

Alexander is redeemed, not because he deserves it, but because Eliza grants redemption to him.

The issue of reopening schools has raised a question we’ve been putting off for far too long: what is the purpose of public education?

Jesus and John Wayne is history as confession, history as lament, a type of history that hopes in a God who never puts us to shame, even as hope in America does.