Editor’s Picks Archives

The songs of Daniel Tiger have become little liturgies that shape my daughter’s days.

Kendrick’s latest album offers less resolution for his fans. And that’s okay.

In Guardians of the Galaxy Vol. 2, we see the consequences of denying truth.

Perhaps the healthiest way to cope at this point is to remember Chris Cornell’s place in our lives.

The Man Who Was Thursday equips us to endure our “dissolving age” by reminding us that there is a larger plan set in motion ages ago by the author of our existence.

The contemporary stereotype of tradition — which Moana so beautifully subverts — is that it’s static and deadening.

It is possible to be a fan of someone’s work without insisting that everyone else feel the same way.

Your Name earnestly embraces a sense of longing as something natural to the human existence.

Dorothy Parker was far removed from my Christian comfort zone but her work helped me to find a voice of my own.

S-Town bears out the shared fate of body and place.

If our nation’s leading intellectuals can disagree with each other and still be civil, why can’t the rest of us do the same?

Lee Strobel shares about the method and motivation behind The Case for Christ—and what this says about how Christians should defend the faith.

The racism Peele is poking at in Get Out is a sort that’s proven difficult, if not impossible, to excise from American culture.

BBC Dad started that interview as an expert on Korean politics, but he ended it as Every Parent Ever.

Arrival paints a clear picture of how important language is to forming and sustaining societies.

Russell Moore and the ERLC represent some of the best of what evangelicals can do to represent the life-giving truth of the Gospel.