Film Archives

Thanos is a maniac in the sense used by G. K. Chesterton in his classic work Orthodoxy.

Wade and Kevin tell us what films are most worth getting excited about after reviewing Shane Black’s attempt to reboot the Predator franchise.

Wade and Kevin dip into genre cinema to see what they find with Searching starring John Cho. Then the guys take a look at Sci-fi thriller Kin.

Kick off September with Corin Hardy, director of The Nun. Then Wade and Kevin return AMC’s Better Call Saul.

This desire, this need, to be known and loved is instilled in all of us. It’s God-given, and it draws us to God.

Did Mister Rogers die with his hope intact? Is hope itself fragile? Can it withstand life in America today?

Wade and Kevin review a Spike Lee joint, BlacKkKlansman. They also look at the much-buzzed-about romantic comedy Crazy Rich Asians.

What both secular liberals and conservative Christians struggle to accept about pacifism in bulls.

This summer marked the ten-year anniversary Christopher Nolan’s The Dark Knight. Does it still hold up? The guys then list their Top 2008 Films.

If people of color are the only ones raising their voices and celebrating increased representation, then our collective forward progress will be minimal, indeed.

In the #MeToo era, an ending like that in My Fair Lady could give us all hope that people can change—something we desperately need to remember.

Wade and Kevin have gentrification on the mind this week, as they review two films about unwelcome new arrivals in the neighborhood: Carlos Lopez Estrada’s Blindspotting, a drama about race and indie sci-fi/thriller The Endless, the new neighbor is an otherworldly force revered by a backwoods cult.

The Mission: Impossible films appeal to us because they offer a kind of terrifying drama that ends in assurance and consolation.

Wade and Kevin review the latest Mission: Impossible film (alternate title: See Tom Run) and the latest indie darling from studio A24, Eighth Grade. Thrills and chills abound!

As Leave No Trace teaches us, we’ve all been given lenses tinted by unhealthy fears because we live in a broken world that inflicts varying degrees of trauma on everyone.

Both movies this week involve a measure of mayhem, but the two directors’ personal approaches to their stories couldn’t be more different: The Equalizer 2 and The Third Murder.