Politics Archives

If Exodus voices our collective hunger for deliverance, it also calls us to work for deliverance, toward liberatory action.

The most viable option is to plaster the invaluable image of God onto our neighbors, listen to their needs and concerns, and strive to outdo one another in love in whatever capacity we can.

The lesson is that if we don’t tell the true stories, if we fail to pass them down to future generations, the lies will rush into the vacuum and take over.

The issue of reopening schools has raised a question we’ve been putting off for far too long: what is the purpose of public education?

Jesus and John Wayne is history as confession, history as lament, a type of history that hopes in a God who never puts us to shame, even as hope in America does.

These hearings, like everything McCarthy had done up to this point, were fueled mainly by McCarthy’s desire to further his own career.

It was obviously a touch ironic that Sesame Street, as a show created for poor inner-city kids, was inspiring such rabid suburban consumerism, but at the time, it was actually exactly what Sesame Street needed.

Pop culture is a powerful force for change, and these picks from Christ and Pop Culture staff members are a great place to start.

It’s not really a mystery why people yearn to believe bizarre and dramatic tales of evil: the actual truth about evil is that it’s mundane, pervasive, and unfixable, at least to us mortals.

If you don’t have any sort of hope beyond death, the absurdity of everything tends to hit you hard. And then you end up doing stupid stuff, like betting the family farm on a bunch of tulips.

The Christ and Pop Culture team highlights some of their personal favorite pop culture artifacts of the past 10 years in the Faves of the Decade series.

Knock Down the House provides real-life glimpses of what we love most about our favorite political dramas.

Raul is about family, compassion, and patience. It’s about looking across the broken landscape of our world and considering how we may use the cross of Christ to bridge the prejudicial gaps of humanity.

In these seasons of Advent and Christmas especially, history points to a church whose worship is particularly political.

“There’s a visceral reaction to our flag—as there should be—because of its history. And here in Mississippi, we don’t know our history.”

More than anything, Slow Burn reminded me of one of evangelicals’ (and Americans’) greatest blind spots: our own history.