Modern Transcendence in Movies: The Immanent Answers of Interstellar
Christopher Nolan offers a gentler, if no less provocative, exploration of humanity at the end of its scientific abilities.

Christopher Nolan offers a gentler, if no less provocative, exploration of humanity at the end of its scientific abilities.

Why does this story continue to appeal to us? What does this latest version say about both the filmmaker and us?

Oppenheimer was looking for more than assurances of a peaceful, weapons-free future. He was looking for absolution.

It’s fitting that Oppenheimer feels so contradictory, because the film is fascinated by such contradictions.

Wade and Kevin look back at films that helped directors solidify their positions as film auteurs. This week they look at the films of Christopher Nolan.

This summer marked the ten-year anniversary Christopher Nolan’s The Dark Knight. Does it still hold up? The guys then list their Top 2008 Films.

War is the theme for this episode as Wade and Kevin review Christopher Nolan’s Dunkirk and Matt Reeve’s War for the Planet of the Apes.

“Hollywood only wants money.” “Superheroes glorify violence.” Among these super-criticisms, don’t miss God’s common graces.
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