Why the John 3:16 “Rainbow Man” Is Serving Multiple Life Sentences
We all expect to have important, dramatic lives. We all think we’ll turn out to be heroes. We’re just like Rainbow Man.

We all expect to have important, dramatic lives. We all think we’ll turn out to be heroes. We’re just like Rainbow Man.

Jesus’ solution to your own sinful tendencies isn’t presented as inconveniencing, insulting, or harming the people around you—it’s presented as handicapping yourself.

I like to think that, centuries from now, “Christian rock music” will be thought of as yet another inexplicable oddity of Church history, alongside Origen’s self-mutilation, the Crusades, and whatever it is with Lutherans and Jell-O.

Coffee culture is weird, you guys.

Christianity was unusually unified at the time the Church of the Holy Sepulchre was built, but things have been falling apart (literally and figuratively) ever since then.

If you’re wondering how someone can just declare himself pope, keep in mind that things in the church were way less formal back then.

Despite the advent of stadium-style seating and auditorium-like worship halls, the simple, ancient pew endures.

With multiple popes in play, the people could freely listen to whichever pope was convenient for them at the time, sort of like national church-shopping.

In college, when I was wrestling the most, my faith was strengthened by one thing: history.

In all these Christmas symbols and practices, in all their manifestations and iterations and alterations, we see humanity’s earnest, finite attempts to express the ineffable.
Popular music generally and Americana in particular are full of Christian relics—images, sounds, and pictures that innately yearn for their spiritual fulfillment.
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