Pet Rocks Were Actually a Thing, and Were Almost Political in How Apolitical They Were
Dahl wasn’t selling people rocks—not really—he was selling them a joke.

Dahl wasn’t selling people rocks—not really—he was selling them a joke.

Tim Conway shone a ray of light in a dark world by doing small things with great laughter.

We’re all beautiful, horrible people, and with both of these realities in mind we can ask, “What’s the joke?”

My immediate thought after watching “The Brainy Bunch” is that The Good Place is starting to feel a little too normal.

D. L. Mayfield recaps the season three premiere of The Good Place, “Everything Is Bonzer!”

Part of Hannah Gadsby’s subversive power consists in the fact she still manages to be hilarious even as she refuses to let us rest in the abridgments necessary to her former punchlines.

Can we be faithful to Christ and laugh with Dave Chappelle?

It is vulnerability that requires more guts.

‘The Empire Strikes Back,’ which crescendos with one of the most famous reversals in movie history, is a tragedy—a monumental, epic, Sophoclean tragedy.

Comedian Tig Notaro turns her cancer diagnosis into the heart of her stand-up routine, making death itself the joke.


Jim Gaffigan’s normal, everyday approach to faith just might be his most profound content.

I’ve been trying to decide—for years, literally—if Mad Men is a tragedy or a comedy.

M*A*S*H isn’t just a great comedy; it’s also a thoughtful and touching exploration of the human condition that features an extraordinary depiction of publicly living out one’s faith in a fallen world.

While mid-life crises are notorious in our contemporary age for dramatic grasps at youth, Poehler shows us a more productive conclusion, albeit one still lacking.

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