“Common Grace” Articles

While American Sniper allows for an uneasy questioning of its protagonist’s jingoism to linger beneath the surface while simultaneously crowding it out, Selma seems too wrapped up in portraying history’s warp and woof, content to offer up its characters as mere players in an inevitable and necessary battle.

I’m concerned that God’s Not Dead perpetuates a false stereotype: that of the bully atheist philosophy professor who is out to destroy every Christian student’s faith.