The Last Unapologetic Hero: Masculinity and Heroism in 007 First Light
The game assumes the audience already understands the dangers built into the Bond archetype, and then it moves beyond them.

The game assumes the audience already understands the dangers built into the Bond archetype, and then it moves beyond them.

At its worst and best, Red Dawn challenges us to think about how we see war, masculinity, and honor.

Bradley Cooper’s Maestro ultimately tends toward the narcissism of its central character, Leonard Bernstein.

We don’t have any stories of heroes without heroes in real life.

Or perhaps it would be better stated that Smallville explores how Clark Kent’s heroism isn’t in how he uses his powers, but in how he has to learn to lay his powers aside—over and over again.

In striving to move forward and figure out who he is, Thor feels the need to atone for his past failures.

Heroic lives are usually, in reality, as unglamorous as assistant pig-keeping.

He was the first man to walk on the moon, but he was a man first, along with all the foibles that come with manhood.

The style of Spider-Man Heroism is the subject of discussion for hosts Tyler and Drew and special guest E. Stephen Burnett.
How can we learn from the exceptional lives of our heroes without becoming discouraged?
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