Luke Cage and the Problem of Compelling Villains
When the villains are the most compelling part of your story, then the story ultimately becomes all about villainy.

When the villains are the most compelling part of your story, then the story ultimately becomes all about villainy.

For Hitchcock, innocence and guilt were perhaps not always as far apart as they might appear.

Guilty or not guilty. It’s the crux of the matter. It’s why five million (and counting) listeners of the Serial podcast anxiously await each new installment.
Get our weekly recap email for the latest from CAPC, delivered straight to your inbox.
Support our work: Become a member and get exclusive membership perks.
Introduce friends & colleagues to the CAPC world with a gift membership.
Learn more about writing for us.




