There’s Something Rotten in Wes Anderson’s Isle of Dogs
As illustrated with ‘Isle of Dogs,’ when we ignore guidance from the past, we end up in a flawed world of our own creation, even if it appears immaculate on the surface.

As illustrated with ‘Isle of Dogs,’ when we ignore guidance from the past, we end up in a flawed world of our own creation, even if it appears immaculate on the surface.

Perhaps the best way we can honor Graham’s paradigm-shifting, government-deception exposing, heroic legacy is to partner with one another much sooner on the journey than Graham’s skeptical advisors partnered with her.

Kendrick’s latest album offers less resolution for his fans. And that’s okay.

The new show This is Us dignifies raw human emotion, letting us know it’s okay to say we need God and need each other.

Ben-Hur serves as a good biblically-inspired story, but struggles with a simplistic finale.

We all just want to belong: in Emma Cline’s new book The Girls, this desire takes a dark turn.

How do we see disability in others? How do we see it in ourselves? The film ‘Finding Dory’ challenges our perception of disability in entertaining and compelling Pixar fashion.

The Jesus portrayed by Ewan McGregor in the the film ‘Last Days in the Desert’ is a new kind of movie Messiah, taking on an all-too-real kind of Devil.

‘The Life of Pablo’ is a messy, but redemptive album from Kanye West

The Coen Brothers search for Jesus in their new film; their characters finding the fictional Jesus, and maybe even the real one, along the way.


Fury is less about battle and more about how battle consumes its participants.

Believe Me quietly pushes its audience to assess at what point one can become so attached to Christian culture that it keeps them from Christ.

The Virgins moves past Christians clichés by building them into something new and charming.

How will we be peacemakers in a world filled with injustice, violence, and mistreatment?
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