Be Careful Whom You Blame for Trump
“Maybe, just maybe, you are part of the reason conservative voters are afraid enough to support Trump.”
“Maybe, just maybe, you are part of the reason conservative voters are afraid enough to support Trump.”
The decades-long struggle between Richards and Doom is a picture of our struggle with God.
Shows like ‘Broadchurch’ illustrate how difficult work in fields like law and business can be when an individual is working within an imperfect system.
Wade and Kevin are joined by writers Bradford Davis and Ekemini Uwan to discuss Spike Lee’s ‘Chi-raq’
Nostalgia can be a powerful force—the human brain tends to remember what was good about the past and forget what was crummy about it.
The singles I know often feel like half-citizens on this side of Heaven.
Drew and Tyler chat with Stephen Addcox about the longing for a better world that is present both in pop culture’s handling of virtual reality.
This week in whiteness: a huge snowstorm and Macklemore’s “White Privilege II”.
Trump’s rise to political prominence reveals the need for conservative evangelicals to offer a better, truer, more just vision of our country.
The wedding diet, bridal weight loss and online support communities are the subject of conversation for Erin and Hannah in this fast chat episode of Persuasion.
Sports fanaticism is not merely moral; it is, in many instances, helpful, praiseworthy, and good.
An interview with Dean Strang, one of Steven Avery’s defense attorneys in the show Making a Murderer. Strang talks about the film itself and makes the case that we all have a stake in the justice system.
White Privilege II is Macklemore’s latest offering. Sam and Cray rip open the mixed bag and explore the pieces inside.
Social networking can show us additional blips of each others’ stories that aid us in the work of knowing and being known.
Wade and Kevin explore the Oscar® worthyness of the “Passion of the Leo” as well as the documentary series ‘Making a Murder’ and the aspects of activism and entertainment.
Ferrante writes about subjects that matter to Christians—home, family, friendship—with a significance that’s all the greater for its utter lack of sentimentality.
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