Kevin is joined by special guest Melissa Tamminga this week as Seeing & Believing kicks off blockbuster season with a review of the new Guardians of the Galaxy.
The CaPC 25 for 2017 is back for our 10th episode with Your Name, A Crow Looked at Me, and Chuck Klosterman X up for nomination this week.
I listen because tabloids aren’t cool but podcasts are. I listen because it is human to be fascinated with other humans’ behavior. I listen because I want to know about the weird, the glamorous, the famous, the infamous, the ordinary.
Being childless on Mother’s Day can be tough. Erin and Hannah welcome Karen Swallow Prior to discuss her ERLC article “Called to childlessness: The surprising ways of God.”
The contemporary stereotype of tradition — which Moana so beautifully subverts — is that it’s static and deadening.
Full of armchair critics with penchants for lazy analysis, The Razzies stunt an audience’s ability to interact with movies instead of doing the good work of a critic.
Pick your poison of near-future dystopias with this week’s episode: Hulu’s The Handmaid’s Tale or James Ponsoldt’s The Circle.
Song to Song is a love story, both intimate and grand in scope, baptized by grace and mercy.
With multiple popes in play, the people could freely listen to whichever pope was convenient for them at the time, sort of like national church-shopping.
Write for our magazine! Submit a pitch for a feature article on the theme of sisterhood.
Facing the realities of life with all it’s dysfunction and mess isn’t easy.
To many, the world of The Handmaid’s Tale looks eerily similar to our contemporary moment.
Deliverance & Doubt by South of Royal is a clean collection of synth-pop/rock songs with catchy hooks that would feel at home on any new Hillsong or Coldplay album.
It is possible to be a fan of someone’s work without insisting that everyone else feel the same way.
In this episode of Persuasion, Erin Straza and Hannah Anderson discuss the ways that pop culture and society at large portray and relate to smart females.
What do we do with our imperfect virtue, our guilt, our pathetic attempts at love?
