You Are Not Actually Reading This Right Now: The Paradox of the Mind, and Why I Wrote a Psychological Thriller
Fiction is what we turn to when we have nagging questions that we can’t quite put into more precise language.
Fiction is what we turn to when we have nagging questions that we can’t quite put into more precise language.
The Deep South circa World War II and Los Angeles circa 2017 meet in this week’s episode: Dee Rees’s ‘Mudbound” and Gilroy’s “Roman J. Israel.”
Sufjan Stevens invites us to raise the mirror this Christmas and laugh to ourselves in all our absurdity: “I’m the Christmas unicorn . . . you’re the Christmas unicorn.”
Though Sigrid’s version of “Everybody Knows” is incredibly morbid, it is only so because it is truthful.
Like the March family, the Church exists to be a unified body poised to bless the world.
A royal engagement watch has been had by Erin and Hannah as the duo share their hot takes on marriage, royal fairy tales, and society’s benefit from it.
There is something deeper that lingers in the human psyche—something more than the experience, or a twisted desire for evil—something that horror taps into and awakens.
Jesus’ solution to your own sinful tendencies isn’t presented as inconveniencing, insulting, or harming the people around you—it’s presented as handicapping yourself.
Wade and Kevin review a pair of movies in which families figure prominently: Pixar’s ‘CoCo’, and Martin McDonagh’s ‘Three Billboards’
Get our weekly recap email for the latest from CAPC, delivered straight to your inbox.
Support our work: Become a member and get exclusive membership perks.
Introduce friends & colleagues to the CAPC world with a gift membership.
Learn more about writing for us.