Monthly Archives: November 2018

It’s an all-sequel edition of the show this week, as the guys take Stephen Caple Jr.’s Creed 2 and David Yates’s The Crimes of Grindelwald?

Jesus’ creative work mirrors that of Black’s creators.

Watching a show like Kim’s Convenience is a helpful exercise for anyone in the dominant culture to experience the decentering of whiteness and the elevation of stories from the margins.

Marriage should not be the norm that orients the communal life of the church.

The events of The Marvelous Mrs. Maisel‘s season finale offer Joel a second chance and a path towards redemption.

More often than not, information alone doesn’t change one’s mind. Stories do.

Seeing & Believing celebrates Thanksgiving and Black Friday with Steve McQueen’s “Widows” and The Coen Brother’s “The Ballad of Buster Scruggs”

Social media trains us to reduce living, breathing human beings to brands and stereotypes, but Teju Cole resists.

I too am obsessed with the psychology of do-gooders and how they help us understand the world we live in through their failed attempts at perfection.

Perhaps his greatest legacy will be that he never treated comics and superheroes as mere disposable entertainment.

It’s a Thanksgiving feast, Seeing & Believing offers up an interview with director Steve McQueen, reviews of two films: Wildlife and Overlord.

More than anything, Slow Burn reminded me of one of evangelicals’ (and Americans’) greatest blind spots: our own history.

We’re all beautiful, horrible people, and with both of these realities in mind we can ask, “What’s the joke?”

Our digital age allows us to handle a lot of life devoid of live, in-person conversation. We simply don’t need to converse with each other face to face.

D. L. Mayfield recaps the latest episode of The Good Place, “The Worst Possible Use of Free Will.”

Christmas came early this year with Orson Wells’ unfinished The Other Side of the Wind, and Disney’s The Nutcracker and the Four Realms.