Cole Burgett’s The Lost Son: The Horror of an Unabsolved Homecoming
An homage to classic horror radio plays, this limited audio series asks, “What if the father had rejected the prodigal son upon his return?”
An homage to classic horror radio plays, this limited audio series asks, “What if the father had rejected the prodigal son upon his return?”
Kevin and Sarah review Black Adam, the DC Comics passion project of Dwayne “The Rock” Johnson. Then, 28 Days Later for the Watchlist segment.
Jessica Wilson is joined by Claude Atcho to discuss Zora Neale Hurston’s 1938 novel, Moses, Man of the Mountain.
In telling a story about surrender and suffering in the service of hope, Xenoblade Chronicles III invites its players into the practice of sacrifice.
Creation was made to love, and through love one lives his or her life, dancing in harmony with God and nature.
Moving provided humorous distraction, while reminding me that some also have to deal with the demon of discrimination while relocating.
Kevin and Sarah spend some time with two spectacular performances in two separate movies about two singular women.
Jessica Hooten Wilson and Joy Clarkson to discuss Eugene Vodolazkin’s novel, Laurus discussing themes of trauma and imitation of Christ.
In this bonus episode, Sarah and Kevin review Andrew Dominik’s Blonde, which adapts Joyce Carol Oates’ 2000 novel of the same name.
We’ve yet to see the event that transforms Andor from a poor survivalist into a spy willing to die (and kill) for the Rebellion.
Reflecting on some of the biggest headlines currently gripping the sports world.
Why do we continue creating when we are met with the heartbreak of our own imperfections?
Kevin and Sarah review Chinonye Chukwu’s film Till, Then for the Watchlist, Charles Burnett’s debut feature film, Killer of Sheep.
In the age of the “gritty” anti-hero, rare is the genre story that begins with the assumption that evil is real and must be dealt with.
Messages need to deal in facts and the consequences of history—two things Ye is willfully and utterly unconcerned about.
Instinctively, Loretta Lynn seemed to sense that music goes even deeper than hopes and dreams and ideals.
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