“It’s Massive in There”: The Inhuman Hell of Backrooms
Kane Parsons’ horror hit exposes the fundamental inhumanity inherent in the modern American experience.

Kane Parsons’ horror hit exposes the fundamental inhumanity inherent in the modern American experience.

Wallace presents various insights scattered like seeds throughout the book, though perhaps not as many sustained analyses as one might hope.

I write this primarily as one for whom mourning was always going to be the inevitable result of this cycle’s campaign season.

Wish presents a fundamentally materialist Marxist world.

We see a gradual but discernible arc in the character of Indiana Jones, from self-seeking adventurer to self-sacrificial friend and family man.

Now 250 years old, Poems on Various Subjects, Religious and Moral shows off Phillis Wheatley’s skill as a writer as well as her Christian faith.

Star Trek: Picard emphasizes the value and wisdom that only age and experience can provide.

Stephen Atherholt plays poet Henry Wadsworth Longfellow in the film I Heard the Bells.

There is indeed an affinity to the classical pagan tale in Hadestown, one that tells us much about our own day—especially when compared to the medieval poem Sir Orfeo.

Star Trek’s Lieutenant Uhura was a generous person, a hospitable person, one who extended the hand of fellowship to those around her.

Nosferatu is a relic of a day when people were not afraid to make moral judgments and make their monsters monstrous.

Spider-Man: No Way Home is about a boy becoming a man — and a just one at that.

Jesus’s birth is a breach of human hospitality, not an example of it.

Shang-Chi moved away from the modern “buffered” self toward a recognition of the enchanted “porous” self.

In a variety of ways, The Mysterious Benedict Society series is more emotive and less disciplined than its print counterpart.

In The Mysterious Benedict Society,“going” isn’t intrinsically good or bad: it depends on how you are going…and whom you are going with.
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