Wade and Kevin sit down with Netflix’s superhero-adjacent action flick The Old Guard, and the documentary Flannery about the renowned 20th Century author.
Many things can bring relief, connect us with each other, and reveal our faults, but laughter does these things with playfulness and joy.
Kelly Reichardt’s latest film about two friends milking a rich man’s cow on the sly, and why Wade and Kevin also like Palm Springs, the Hulu original film.
This is a story of getting burned out on comedy and learning to love it again with an enjoyment story that comes through accepting limits.
Wade and Kevin see what Rom Hanks serves up with Greyhound, then turn their attentionAndrew Patterson’s 1950s-set sci-fi flick The Vast of Night.
It’s hard to acknowledge when we’ve made a racist or sexist joke. It contradicts stories we tell ourselves; “I wouldn’t make a racist joke” or “I couldn’t be sexist.”
This week we review Hirokazu Kore-eda’s The Truth and the Will Ferrell comedy Eurovision Song Contest: The Story of Fire Saga.
What can we joke about? How far is too far? Our answers tend to be personal, which makes it hard to discuss why some humor is offensive.
We look at the latest cinematic political satire from former Daily Show host Jon Stewart and celebrate the 45th birthday of Jaws with a retro review.
Behind each laugh is a lot of work. What is the work of humor, and what does that mean for us as we create and cultivate our own laughs?
Comedians and late-night hosts have been pausing the jokes to sincerely address events and issues. This raises some interesting questions about humor.
Buckle up for terrible space puns asWade and Kevin tackle Space Force, and go on a voyage into the mind of famed writer Shirley Jackson.
Wade and Kevin look at the Dardennes’ story of a young teenager who is attracted to Islamic fundamentalism, and Kitty Green’s #MeToo drama, The Assistant.
It’s time for a Trip to Greece with Michael Winterbottom while eating fancy followed by Andrew Ahn’s darling film Driveways staring the late Brian Dennehy.
Wade and Kevin get back to basics with a review of Josh Trank’s unconventional small-budget film examining the last year of the infamous gangster’s life.
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