Seeing and Believing 371 | Creed III & Raging Bull
Kevin and Sarah strap on their boxing gloves and go a few rounds with the latest Rocky sequel, Creed III and Martin Scorsese’s Raging Bull.
The Christ and Pop Culture 25 of 2019
A list of our favorite things from 2019.
The Christ and Pop Culture 25 of 2019: #15 to #11
A list of our favorite things from 2019, from #15 to #11.
Seeing and Believing 228 | Martin Scorsese’s The Irishman and Trey Edward Shults’s Waves
In this week’s body of reviews, Wade and Kevin look at Martin Scorsese’s The Irishman, and Trey Edward Shult’s dramatic production of Waves.
The Definable and Indefinable Nature of Art
All these struggles to define what art is really boil down to fear—a fear that elitism will strangle joy out of what it is we all enjoy consuming.
The CAPC Digest: Silence, Faith, and Culture with Wade Bearden and Peter G. Epps
Drew and Tyler talk about Silence, faith, and culture with Wade Bearden and Peter J. Epps in regards to Martin Scorsese’s film Silence.
Silence’s Roar: Scorsese’s Latest Is a Kaleidoscope of Faith and Doubt
Silence’s commitment to authenticity and deep exploration of martyrdom make it a vital watch for all audiences.
Seeing and Believing: Martin Scorsese’s Silence and Top 5 Spiritual Scorsese Moments
One of the guys’ most anticipated films of 2016 is kicking off their first show of 2017: Martin Scorsese’s ‘Silence’, based on the the novel by Shusaku Endo.
Knocking on Martin Scorsese’s Door: Religion in the Work of Hollywood’s Patron Saint
In Martin Scorsese’s films, faith forms the groundwork for his gritty portrayals of incarnate suffering and violent quests for redemption.
Makoto Fujimura’s Silence and Beauty, Free for CaPC Members
The thoughtful analysis of Silence’s unforgettable climax makes Fujimura’s ‘Silence and Beauty’ a must-read for Endo critics and fans alike.
Last Temptations, “Attaboys,” and Dangerous Art
Films like ‘The Last Temptation of Christ’ require deep digging that ultimately results in spiritual maturity.
Listening Closely to ‘Wolf of Wall Street’: Music as a Moral Clue in the Films of Martin Scorsese
Scorsese has left us clues in Wolf of Wall Street and his other “irredeemable” films as to the truly moral, redeemable nature of his work — particularly through his use of music.
