Station Eleven: Post-Apocalyptic Comedy and the Improbable Happy Ending
The novel’s plot centers on the end of the world, but here’s the thing: it’s hopeful.

The novel’s plot centers on the end of the world, but here’s the thing: it’s hopeful.

Station Eleven focuses on the clarity that the pandemic’s disaster affords, and the way people re-make their sense of “home” after the damage.

We’re heading back to the office, back to school, back to our faith communities. But after a year away, are we ready to show up?

Our team highlights important people and happenings that shaped the year that was 2020.

Here’s what everyone was reading at Christ and Pop Culture in 2020.

We’ve had to do what we’ve had to do, which meant saying goodbye, for a time, to the good things—even some of the sacred things—in order to survive.

The pandemic may have slowed things down, but we still feel the crush of expectations and demands, perhaps more so while working from home and sensing internal and external pressure to prove that we’re pulling our weight.

Erin and Hannah host Luke T. Harrington to discuss the importance of humor and how our faith can actually be strengthened when we learn to take ourselves—and life—a little less seriously.

Gina Dalfonzo joins Erin and Hannah to explore the value of nurturing friendships even in the most dire of circumstances.

Wendy Alsup joins this conversation to help us reconcile our current historical moment—which is full of loss and fear—with our tendency to sidestep pain and suffering.

Chernobyl has acted as a reminder to me that social media hasn’t made people crazy, paranoid, or stupid—people have always been willing to spread misinformation, lies, and conspiracies when it suits an agenda like a political or religious ideology.

Persuasion is back with a summer miniseries full of good friends and great ideas for getting by considering the state of our world today.

The issue of reopening schools has raised a question we’ve been putting off for far too long: what is the purpose of public education?

Why do something so frivolous as telling stories when human lives may be at stake? Shouldn’t we be in the business of… well, surviving?

The video makes it harder, not easier, for watching Christians to envision how their faith calls them to engage with the surrounding world in a time of crisis.

Steak-umm has dramatically subverted our expectations of advertisers’ behavior, winsomely reminding us of our interconnections and shared humanity in an environment that thrives only by desensitizing us to that reality.
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