In the Shade of Wakanda: The Resurrection of Broken White Boys
If we are ever to see difference as a gift, then we need a resurrection of sorts, but we would do well to remember that resurrection requires a death.

If we are ever to see difference as a gift, then we need a resurrection of sorts, but we would do well to remember that resurrection requires a death.

Perhaps we don’t have arch-nemeses like Joe Blocker, or a “war bag full of reasons” to hate an entire people group, as he says he does in the film, but just by virtue of being human, our natural state toward each other is hostility.

Wade and Kevin review a pair of movies in which families figure prominently: Pixar’s ‘CoCo’, and Martin McDonagh’s ‘Three Billboards’

Whether or not ABC moved in the right direction for the right reason, it undoubtedly is the right direction.

The racism Peele is poking at in Get Out is a sort that’s proven difficult, if not impossible, to excise from American culture.

Director Ava DuVernay points out that the dehumanization of blacks existed, not only in slavery but also in the language of abolition.

Ruby Bridges reminds us that hatred of God’s children cannot be anything but sinful, and we must be vigilant in confronting not just what we’ve done, but what we have left undone.

The Gospel enables believers to see social issues from a spiritual perspective — but does it remove social issues altogether?

Yes, you and I are even called to love clueless white people who don’t understand why ‘The Wiz: Live!’ had an all-black cast.

We see what we want to see. The only obvious exception in recent memory is the family members of the shooter’s victims, who stood up at his preliminary court hearing and publicly forgave him.

As distant as the issues of race and abortion appear on the political spectrum, at root, both ask the question of what it means to be made in God’s image.


If there are any lingering doubts about how the St. Louis area should feel about the death of Michael Brown, the system is officially signaling closure.

The violent protests and the militarization of police response in St. Louis are a self-destructive language.


We like to imagine segregation is ancient history. Tyler Glodjo reminds us it’s not.
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