Loki Recap: Out of Time (Episode 2)
With the introduction of the Multiverse, this is the sort of plot device that will bring about resurrections and connect all sorts of stories that weren’t supposed to be connected.

With the introduction of the Multiverse, this is the sort of plot device that will bring about resurrections and connect all sorts of stories that weren’t supposed to be connected.

And while Loki can’t articulate why he wants to rule, he is certainly attracted to power.

While people sometimes make bad decisions because they feel bad about themselves, the truth is that people make bad decisions for all sorts of reasons, including because they feel excessively good about themselves.

As the months of the pandemic translated into far more hours spent inside and online than outside and in person, I have seen more ugliness—more meanness—in this world than ever before.

It is not normal for those with power to lay it down for another’s sake. To those insecure in their power, this feels like surrender. It feels like shame. Humiliation.

That’s the thing about this show. Unlike WandaVision, The Falcon and the Winter Soldier’s mysteries are probably the least interesting thing about it.

The reality is that the whims of the internet mob are, at best, only occasionally guided by moral clarity and a sense of true justice.

If a character or a story is the Ship of Theseus, how much needs to be reshot, re-edited, cut, arranged, and composed before the original story no longer exists?

Kilroy graffiti was something of a liturgy: a ritual that reshaped hearts and minds into parallel forces striving toward the same goal.

Stories aren’t “Christian” or “not Christian.” They either tell the truth or they don’t.

Agatha asked Wanda, “Do you think maybe this is what you deserve?” That’s the question that poisons all our hearts.

By the late eighties, though, the American right had discovered political correctness, and—well—that crowd has never met a phrase it couldn’t turn into an insult.

Agatha takes Wanda to therapy, and the show essentially takes its viewers to therapy, as well.

Wanda is no longer the picket fence housewife performing community magic shows. No. She’s the pajama-clad matriarch who knows her life is a mess.

Pietro doesn’t mind if he leads Wanda back to the moral question of Westview, so long as she never acts on it.

If Wanda really is in control, then that means she’s more powerful than we’ve ever realized.
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