Seeing and Believing 228 | Martin Scorsese’s The Irishman and Trey Edward Shults’s Waves
In this week’s body of reviews, Wade and Kevin look at Martin Scorsese’s The Irishman, and Trey Edward Shult’s dramatic production of Waves.

In this week’s body of reviews, Wade and Kevin look at Martin Scorsese’s The Irishman, and Trey Edward Shult’s dramatic production of Waves.

Seeing & Beleiving is seeing double this week with Ang Lee’s Gemini Man starring Will Smith and Vince Gilligan’s El Camino starring Aaron Paul.

Jump back to the 1980’s with a review of Stranger Things 3 followed by a discussion about Danny Boyle’s latest film outing, Yesterday.

As our only means of consuming entertainment, [binging] may turn us into fevered people impoverished for art that satisfies as only the True, the Beautiful, and the Good can.

It’s a strange, new streaming world out there with some truly great diamonds in the rough.

Godless treats the subject of God’s absence not in propositional statements, but rather the embodied, existential answer of lives well-lived.

When we continue feeding our desire for easy answers, we lose the ability to approach complexity with the appropriate tools.

To critique a show, or an institution, or a dear friend can be an act of love.

Netflix’s new documentary miniseries Wild Wild Country tries to get to the bottom of a 1980s dispute between a religious commune and the Oregon community next door. Also the Nick Offerman-starring Hearts Beat Loud, a feel-good indie movie about a dad trying to get the band back together with his college-bound daughter.

The guys take it down a notch after the blockbusters of last week. First they review American Animals, director Bart Layton’s follow-up to The Impostor.

Can we be faithful to Christ and laugh with Dave Chappelle?

Those who are lonely during this season don’t need to be mocked or called out or even lightly teased for their viewing habits.

The Deep South circa World War II and Los Angeles circa 2017 meet in this week’s episode: Dee Rees’s ‘Mudbound” and Gilroy’s “Roman J. Israel.”

Mysteries both paranormal and murder-y feature on this week’s episode. First the guys tackle Stranger Things, then go for a ride on the Orient Express.

Instead of showing us how the good guys can go bad, Mindhunter wonders if maybe the good guys have been just as evil all along.

Special guest Val Dunham returns to the show to talk about the atypical representation of love in the Netflix Original Atypical
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