No, This Isn’t the “Most Important Election in Our Lifetime”
In order to weigh our voting options more fairly in the 2016 election, we need to ditch the apocalyptic rhetoric.
In order to weigh our voting options more fairly in the 2016 election, we need to ditch the apocalyptic rhetoric.
All is not lost on this epic episode of The CaPC 25 for 2016 as Amanda Wortham and C.T. Casberg join Jonathan and Sarah for this week’s episode.
Erin and Hannah talk about a recent study relating clothing choice to professional success for those who work from home.
Stories are a powerful therapy for the human heart struggling with the heaviness of the world.
Both The Leftovers and Left Behind may be mere entertainment, but they nonetheless expertly play into the fears of what a less-populated world would entail.
Os Guinness’ Impossible People is not afraid to be as tough on Christians as it is on their cultural enemies.
For S. D. Smith, author of The Green Ember series, ‘great fantasy . . . is all about possibility and about gateways to better seeing.’
Wade and Kevin welcome guest critic Lauren Wilford onto the show this week as they tackle one of the most controversial films to come out this year: Nate Parker’s The Birth of a Nation.
Sharing emotion with dignity is the theme of Drew and Tyler’s chat with Abby Perry about her recent article, “This Is Us and the Dignity of Human Emotion.”
Children with disabilities aren’t incarnations of clinically identified symptoms—they are human beings.
Author and filmmaker N.D. Wilson’s first full-length feature film The River Thief offers real grit, real storytelling, and real redemption.
The issues McEwan raises in this strange, brilliant novel provoke serious thought.
Why are Christian beliefs and behaviors so confusing? Erin and Hannah explore the difference between the vocabulary and actions amongst self identifying Christians.
Wade and Kevin discuss the documentary ‘Tower’ and the WW II biography picture ‘Denial’
God hasn’t promised us perfect safety here on earth, but if you believe He has, you will have to question His character when it vanishes.
Okkervil River’s Away is a record of lead singer Will Sheff’s kenosis : his self-emptying.
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